Within ‘employment,’ moonlighting means working a second job. In particular one after normal business hours in the evening or night. Since the work is typically performed at night, when the moon is out, it’s known as moonlighting. I didn’t do any research, but I’d guess you could tie a strand of the terms history back to moonshiners… working on something prohibited under the light of the moon. The thought of an architect moonlighting to garner clients and recognition in hopes of striking out on their own will forever be within an architects’ psyche. Moonlighting in architecture connotes a romanticized notion- the ‘gifted’ architect being able to do as they please for a client without the constraints of their employer. The reality is far from that.

I’m not an advocate for an ‘architect’ moonlighting as an ‘architect’. If you do it a few times throughout your career, no big deal. However, if it’s something you regularly do, then it’s not okay. Architecture is a tough profession, it shouldn’t be taken lightly or attempted in a few nighttime hours after your day job. It demands focus. You change when you moonlight- your attention span is reduced, your energy levels go down, the quality of your work suffers, your relationships with others aren’t all they could be, your stress levels rise, etc. You’ll also create convoluted liability issues. You can try to convince yourself otherwise, but the truth is the truth. The reality is moonlighting is not fair to you, your employer, or the people you’re moonlighting for.

Regardless of my personal thoughts, the lure of moonlighting for an architect is typically too much to resist. Architects will continually be tempted and many will moonlight. If you choose to moonlight as an architect and you’re currently working for/as an architect, I offer these suggestions:

1. Confirm your employers policy on moonlighting, most are very strict on such practices- meaning they don’t allow it.

2. Be sure you’re moonlighting client is aware that you alone are responsible for the project and they indemnify your current employer for any and all- have it part of your contract.

3. While you’re on your employers ‘clock,’ do not work on your moonlighting project at any time, not even during a lunch break- no sketches, doodles, phone calls (even on your personal phone), no site visits, no nothing.

4. Do not use anything of your employers for your work- no pens, paper, plotter, computer, no nothing.

If you’re regularly busy with your own moonlighting clients, take the plunge and strike out on your own- you’ll have much more freedom than the moonlight hours grant- and all your previous changes will revert back to your normal self.

 

Design On,
(hopefully during daylight hours)

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* This post is part of the ArchiTalks series in which a group of ‘blog-ing’ architects select a topic and the group all post on the same day and promote each other’s blogs and read varying takes on the topic. This month’s topic is ‘Moonlighting.’ To read how other architects interpreted the topic please click the links below:

Jeff Echols – Architect Of The Internet (@Jeff_Echols)
The Ironic Blasphemy of Moonlighting and what Architects are Missing Out On

Lee Calisti, AIA – Think Architect (@LeeCalisti)
moonlighting more than an 80s sitcom

Lora Teagarden – L² Design, LLC (@L2DesignLLC)
Moon(lighting) changes with the seasons

Collier Ward – One More Story (@BuildingContent)
Moonlighting

Jeremiah Russell, AIA – ROGUE Architecture (@rogue_architect)
hustle and grind: #architalks

Michael Riscica AIA – Young Architect (@YoungArchitxPDX)
Moonlighting for Young Architects

Stephen Ramos – BUILDINGS ARE COOL (@BuildingsRCool)
Architects do it All Night Long

Brian Paletz – The Emerging Architect (@bpaletz)
Starlight, moonlight – tick tock

Jeffrey Pelletier – Board & Vellum (@boardandvellum)
Is Moonlighting Worth It? Probably Not, But We All Try.

Kyu Young Kim – J&K Atelier (@sokokyu)
Dancing in the Moonlight

Jim Mehaffey – Yeoman Architect (@jamesmehaffey)
Moonlighting: or Why I Kept My Dayjob.

Tim Ung – Journey of an Architect (@timothy_ung)
An Alternative to Moonlighting as a Young Architect

Mark Stephens – Mark Stephens Architects (@architectmark)
Architalks 28 Moonlighting

Gabriela Baierle-Atwood – Gabriela Baierle-Atwood (@gabrielabaierle)
On Moonlighting

Ilaria Marani – Creative Aptitude (@creaptitude)
There is no moolighting. It’s a jungle!

Jane Vorbrodt – Kuno Architecture (@janevorbrodt)
Crafted Moonlighting

 

“I’m not paid to be a role model. I’m paid to wreak havoc on the basketball court.” – Charles Barkley

Those that know me personally would probably revise Barkleys’ quote to:

I’m not paid to be an architectural mentor. I’m paid to solve the clients’ design problems, provide clear and concise construction documents, and be profitable while not compromising the client/project goals.” – Keith

Truth is, as an architect I provide mentorship whether or not I consciously choose to or not. If someone seeks me for mentorship, I will assist wholeheartedly. I’m blatant that my ‘style’ of active mentorship is along the lines of ‘tough love;’ I don’t baby sit nor hand hold. That’s a waste of my time and does nothing to truly educate the mentoree. For those that don’t actively want to be mentored, it happens anyway via redlining their work and participation in meetings, site visits, etc. So what is mentorship, mentorship is:

1. Figuring out the best way to achieve a given a task/end goal. It’s not being given a task/end goal and every step/process along the way to achieve such.

2. Looking for, and experimenting with, steps/processes to follow to achieve a particular goal; asking a lot of questions. It’s not being told the steps/processes to follow nor is it looking to ask one specific question in hopes that answer catapults you to the end goal.

3. Presenting various solutions/information for review and discussion. It’s not presenting a single solution and asking “Is this what you wanted?”

4. Reviewing/red-lining your own work prior to having someone else review- if you can find your own mistakes, chances are you won’t make them again. It’s not simply handing your work over for others to find your mistakes/omissions.

5. Learning and learning how to learn. It’s not about being definitively told what to do and most importantly, not being told specifically how to do it.

Keep in mind; this occurs while I (or your mentor) keep a loose ‘tab’ on you. It sounds a bit harsh and even vague, perhaps it is. You’ll be allowed to err, but not in an abysmal manner to the project/client. The end goal of a successful ‘mentorship’ is an individual who can think for themselves and not rely on others to decidedly inform them of all they need to do.

Learning and growth are stagnated when one is sheltered in their comfort zone and need to be instructed on every task and how to achieve. If that’s your belief of being mentored, congratulations you’re on your path to being a draftsperson. If that’s what you want, fine, they will always be needed in the AEC profession. However, if you want to be an architect, you’ll need to be able to think for yourself and not rely on others to explicitly inform you of your tasks/means/methods; the quickest way to achieve such is through mentorship.

 

Design On,

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* This post is part of the ArchiTalks series in which Bob Borson of Life of an Architect selects a topic and a group of ‘blog-ing’ architects all post on the same day and promote each other’s blogs. This month’s topic is ‘Mentorship’– to read how other architects interpreted the topic please click the links below:

Bob Borson – Life of An Architect (@bobborson)
This is NOT Mentorship

Marica McKeel – Studio MM (@ArchitectMM)
ArchiTalks: Mentorship

Jeff Echols – Architect Of The Internet (@Jeff_Echols)
Mentors, Millennials and the Boomer Cliff

Mark R. LePage – EntreArchitect (@EntreArchitect)
Influence

Lora Teagarden – L² Design, LLC (@L2DesignLLC)
ArchiTalks: Mentorship

Collier Ward – One More Story (@BuildingContent)
Mentorship

Jeremiah Russell, AIA – ROGUE Architecture (@rogue_architect)
teach them the way they should go: #architalks

Eric T. Faulkner – Rock Talk (@wishingrockhome)
Bad Mentor, Good Mentor

Stephen Ramos – BUILDINGS ARE COOL (@sramos_BAC)
The Top 3 Benefits for Architects to Mentor and to be Mentored

Brian Paletz – The Emerging Architect (@bpaletz)
I’ve got a lot to learn

Emily Grandstaff-Rice – Emily Grandstaff-Rice FAIA (@egrfaia)
Gurus, Swamis, and Other Architectural Guides

Jarod Hall – di’velept (@divelept)
The Lonely Mentor

Drew Paul Bell – Drew Paul Bell (@DrewPaulBell)
Advice From My Mentor

Jeffrey Pelletier – Board & Vellum (@boardandvellum)
Mentoring with Anecdotes vs. Creating a Culture of Trust

Samantha R. Markham – The Aspiring Architect (@TheAspiringArch)
Why every Aspiring Architect needs SCARs

Nisha Kandiah – ArchiDragon (@ArchiDragon)
Mentorship : mend or end ?

Jim Mehaffey – Yeoman Architect (@jamesmehaffey)
My Mentor

Tim Ung – Journey of an Architect (@timothy_ung)
5 Mentors that are in my life

Mark Stephens – Mark Stephens Architects (@architectmark)
Mentorship

Gabriela Baierle-Atwood – Gabriela Baierle-Atwood (@gabrielabaierle)
On Mentorship

Ilaria Marani – Creative Aptitude (@creaptitude)
Mentorship

I’m going to keep this simple, because… well… it’s actually this simple. If you’re anticipating constructing a new house or renovating your existing house, I’m offering some advice. While this is geared towards residential projects, the same holds true for almost any building project. My advice is:

Hire an Architect- An architect’s value is problem solving, addressing your needs/ wishes/ budget/ schedule, and complying with local building and zoning codes- all while designing an aesthetically pleasing efficient house. Architects help you design/discover a house that works for you and fits your individuality and preferences. The value of our services is occasionally related directly to cost savings. However, typically our value is in questioning, planning, clarification, detailing, and ‘solidifying’ numerous moving ‘parts’ into an efficient cohesive design- which ultimately results in cost savings to you.

Actively Participate- When it comes to designing your house, as an architect I will have strong preferences and recommendations. However, ultimately it will be up to you to make decisions. An architect will not force a design on you which you don’t want; if they do try, than you didn’t follow my series about ‘Hiring an Architect.’ We will make recommendations; present differing options, and offer our professional opinion- which is why you hire us. However, if you’ve seen something you like, show it to me… think something can be done a better way, challenge me… keep open dialogue flowing; your project will benefit from such. Ultimately you make the decisions- we work for you.

Be Honest- If you’re not honest with yourself and all involved with your project, you’re setting up for disappointment. Money doesn’t magically appear in a project, if you cannot afford something, don’t need something, don’t like something, or don’t understand something… speak up and have it explained/ clarified. It’s tough, but above all else, you need to be honest with your budget. You’re paying for the project and you want the most value you can get, having honest discussions is crucial to achieving such.

Have Trust- I can’t state this enough, you need to TRUST your architect. You need to be comfortable in talking honestly with them… see previous advice. You should be able to envision having meals with this person and inviting them to a party- architects love parties! You don’t have to be best friends with your architect; you do need to like them though. You need to have confidence in their integrity and skill set as an architect, that they are your advocate, and have your best interests at the forefront.

Actively working with an architect you trust and can be honest with, will allow you to make well informed decisions about your project. Architects will listen to your needs/wants and in the end you’ll have the house you wanted because your architect was able to assist you in bridging the gap between your vision and reality. You’ll end up with a house that fits you and your lifestyle.

 

Design On,

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* This post is part of the ArchiTalks series in which Bob Borson of Life of an Architect selects a topic and a group of ‘blog-ing’ architects all post on the same day and promote each other’s blogs. This month’s topic is ‘Advice for Clients’– to read how other architects interpreted the topic please click the links below:

Marica McKeel – Studio MM (@ArchitectMM)
ArchiTalks: Advice for Working with an Architect

Jeff Echols – Architect Of The Internet (@Jeff_Echols)
Advice for ALL Clients

Lee Calisti, AIA – Think Architect (@LeeCalisti)
advice to clients

Lora Teagarden – L² Design, LLC (@L2DesignLLC)
ArchiTalks: Advice for Clients

Collier Ward – One More Story (@BuildingContent)
Trust Your Architect

Eric T. Faulkner – Rock Talk (@wishingrockhome)
Advice List — From K thru Architect

Michele Grace Hottel – Michele Grace Hottel, Architect (@mghottel)
advice for clients

Brian Paletz – The Emerging Architect (@bpaletz)
A Few Reminders

Jonathan Brown – Proto-Architecture (@mondo_tiki_man)
Your Architect is your Advocate

Eric Wittman – intern[life] (@rico_w)
[tattoos] and [architecture]

Emily Grandstaff-Rice – Emily Grandstaff-Rice FAIA (@egrfaia)
Changing the World

Drew Paul Bell – Drew Paul Bell (@DrewPaulBell)
Advice for Clients

Jeffrey Pelletier – Board & Vellum (@boardandvellum)
Questions to Ask an Architect in an Interview: Advice for Clients

Samantha R. Markham – The Aspiring Architect (@TheAspiringArch)
Dear Client,

Kyu Young Kim – J&K Atelier (@sokokyu)
Advice for Clients

Nisha Kandiah – ArchiDragon (@ArchiDragon)
Advice for clients

Rusty Long – Rusty Long, Architect (@rustylong)
Advice for Clients

Mark Stephens – Mark Stephens Architects (@architectmark)
Advice for Clients

Gabriela Baierle-Atwood – Gabriela Baierle-Atwood (@gabrielabaierle)
What I wish clients knew

I never had any great desire to become a sole-practitioner architect; it came out of survival instincts. The economy was bad and my daughter likes to eat and have clothes. So a few fees here and a couple of forms there and I had my legal entity to officially practice architecture. I was off and running to secure my own work. ** cue wavy dreamy sequence*** Ah, that was 2009… seems like yesterday… but I digest. I know, I know sounds awesome… well for the most part, it is! So what are my top +10 for being a sole practitioner, here you go:

+1. I get to resolve all the ‘bad’ issues that arise- it’s the best learning experience.

+2. No random principal comes to me at the 11th hour saying “I’m not sure I agree; let’s give this scheme a try.”

+3. I can refuse projects that aren’t a good fit.

+4. I rise and fall… I get credit for both!

+5. I get full authority on creativity… as well as veto power!

+6. I can go mountain biking or mow the lawn whenever I have to clear my head.

+7. When I take pens and trace from the office, no one knows but me… shh.

+8. All my days-off for vacation requests are approved.

+9. I’m in control of where my practice goes… such as my design value menu concept.

And the final, and best reason I enjoy being ‘da man’…

+10. It allows me to be more actively present in my daughter’s life, attend martial arts classes, field trips, volunteer at school, etc.

With all the positives, much like everything in life, there are also negatives to being a sole practitioner. However, the majority of negatives can be resolved relatively easily. Here are my 10 for being a sole practitioner:

1. When I have a lunch and learn I have to buy lunch and be the teacher.

2. No big firm resources- books, software, supplies, etc.

3. No one to bounce ideas off of or offer constructive criticism (Facebook and Instagram comments don’t count).

4. I’m the architect, receptionist,  business development guy, PR department, admin department, good cop, contract writer, AR/P department, educator, bad cop, night cleaning crew, IT guy, intern, model maker, lackey, CAD/BIM manager, CA guy, marketing department, general whipping boy, spec writer, etc.

5. I have to buy trace, scales, and sharpies.

6. No intern to pass grunt work off to mentor.

7. No Friday morning **insert favorite breakfast here** paid for by others.

8. Nobody to foot the bill for the annual holiday party.

9. Firm retreats are extremely lonely.

And the final, and reason I don’t like being a sole practitioner…

10. No room for advancement within the firm unless I take a pay cut and demote myself first.

Much like a battery, in order for things to run well you need both a positive and a negative. As long as the +/- tend to weigh slightly more to the +, it’s most likely worth doing. It’s tough working on your own and it’s not for everyone. There are days I question it. However, if you do go this route it will be extremely rewarding!

 

Design On,

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Your house may be the most expensive project you will ever undertake. As an architect, I take the opportunity to work with you on such an important aspect of your life very seriously. If you are making such an investment, and you want your house to reflect who you are and how you live, hiring an architect is a must. I will help you design/discover a house that works for you and fits your individuality and preferences. This house, your house, will be vastly different than one designed for someone else. However, I won’t create a home for you. That’s up to you.

Wait… what… you’re a residential architect and you don’t design homes? Nope. I’ve never designed a home, not one. Houses, I’ve designed lots of houses, but no homes. However, I’ll confess, I’m guilty. I interchange ‘house’ and ‘home’ all the time. I’m sure there are numerous instances in various posts on my blog. However, there is a difference. A house is the physicality of the structure; a home embodies a ‘spirit’ or ‘vibe.’ This can only come from the occupants of the house and their usage of it. My childhood home holds great memories for me. At the time I was unaware of the gift our home gave- it served as the framework for my family and our daily life which in turn became my memories.

It’s been 30+ years since I’ve lived in the house, but my memories are fresh because I have the house as a reference that enhances my memories recollection- textures, sights, sounds, smells, all contained within the house, my childhood home. Architecture and the memories associated with it are what foster a home. A house serves as the frame of reference for daily life, which in turn transcends a house to your home. So please, take the house I designed and make it your home, it’ll be worth it!

 

Design On,

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* This post is part of the ArchiTalks series in which Bob Borson of Life of an Architect selects a topic and a group of ‘blog-ing’ architects all post on the same day and promote each other’s blogs. This month’s topic is ‘House or Home?’– to read how other architects interpreted the topic please click the links below:

Bob Borson – Life of An Architect (@bobborson)
The Designation between House and Home

Marica McKeel – Studio MM (@ArchitectMM)
ArchiTalks: House or Home?

Mark R. LePage – EntreArchitect (@EntreArchitect)
Emotional Marketing for Architects: House or Home?

Lora Teagarden – L² Design, LLC (@L2DesignLLC)
House or Home? It’s in the story.

Collier Ward – One More Story (@BuildingContent)
House or Home? A Choice of Terms

Jeremiah Russell, AIA – ROGUE Architecture (@rogue_architect)
house or home: #architalks

Eric T. Faulkner – Rock Talk (@wishingrockhome)
House or Home — Discover the Difference

Michele Grace Hottel – Michele Grace Hottel, Architect (@mghottel)
“house” or “home”?

Meghana Joshi – IRA Consultants, LLC (@MeghanaIRA)
Architalks #24 : House or Home

Brian Paletz – The Emerging Architect (@bpaletz)
House or Home? – Depends

Michael LaValley – Evolving Architect (@archivalley)
House or Home? Train for One, Design for Another

Jarod Hall – di’velept (@divelept)
A Rose by Any Other Name…

Greg Croft – Sage Leaf Group (@croft_gregory)
House or Home

Jeffrey Pelletier – Board & Vellum (@boardandvellum)
Designing a House into a Home

Kyu Young Kim – J&K Atelier (@sokokyu)
Making a House a Home

Nisha Kandiah – ArchiDragon (@ArchiDragon)
Dwelling on a Macro scale

Jim Mehaffey – Yeoman Architect (@jamesmehaffey)
House or Home: One’s a Place, the Other a Feeling.

Mark Stephens – Mark Stephens Architects (@architectmark)
#ArchiTalks #24 House or Home? #RefugeeCrisis @GrainneHassett mentioned

Stated over ninety years ago, the quote above still holds true and will most likely always. However- and you know I’ve got nothing but love for you Corbu- my ‘issue’ with the quote is the term ‘style’. There are few stronger words in the English language then the word hate- intense or passionate dislike. I rarely use the word. However, I need to state this… I hate the word ‘‘style’.

Residential architecture and the distinctive ‘styles,’ be it Shingle, Victorian, Craftsman, or Modern, are designed by following a particular set of stylistic rules- massing, elements, materials; each are selected and composed in a particular manner to create a building. These rules produce the type of architecture that makes these ‘style’s so well-loved. However, style’ dictates conforming to conventionality; it’s a representation or composition of set patterns and canon. Is this a bad thing? No. The typical residential ‘‘styles’ make up what most people envision when they imagine a home, and these ‘‘styles’ continue to resonate with the majority of homeowners. ‘Style’ does have its place and there are countless new houses constructed in a particular ‘style’. Reproducing homes that are beautiful constructs and akin to the original ‘style’ can be successful if one adheres to the patterns and rules of the ‘style.’ However, typically these homes lack coherence because the rules of the ‘style’ are not consistently followed.

While ‘style’ does have its place, I’m not overly interested with ‘style’ in architecture. ‘Style’ can be very subjective and plastic in architecture. I choose to not start a design with a set ‘style’ and its inherent dogma. I approach each project by looking to define the inherent design issues- independent of a set ‘style’ to strive for. I consciously attempt to not root my work in a particular ‘style.’ I strive to absorb a client’s beliefs and wishes and respond with an appropriate design. At the commencement of each project, any ‘style’ to strive towards is negated- the resultant design is based upon the inherent design problems, client needs, desires, and context. Starting with a particular ‘style’ as the end goal, limits you to the rules of others from the onset.

I prefer to strive for establishing an aesthetic for the client/ project. The aesthetic arises from arrangement of spaces/ forms, context, materiality, key features, etc. Typical architectural design principles are still adhered to- mass, proportion, scale, etc. However, without the confines of a ‘style’ the process is much more organic and in-tune with the clients personal needs. ‘Style’ is someone else’s and per their rules… aesthetic is yours and per your rules. Strive for your own aesthetic.

 

Design On,

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* This post is part of the ArchiTalks series in which Bob Borson of Life of an Architect selects a topic and a group of ‘blog-ing’ architects all post on the same day and promote each other’s blogs. This month’s topic is ‘Style’– to read how other architects interpreted the topic please click the links below:

Bob Borson – Life of An Architect (@bobborson)
http://www.lifeofanarchitect.com/style-do-i-have-any/

Lee Calisti, AIA – Think Architect (@LeeCalisti)
style…final words

Lora Teagarden – L² Design, LLC (@L2DesignLLC)
The AREsketches Style

Collier Ward – One More Story (@BuildingContent)
Good Artists Copy; Great Artists Steal

Eric T. Faulkner – Rock Talk (@wishingrockhome)
Name That Stile!

Michele Grace Hottel – Michele Grace Hottel, Architect (@mghottel)
“style”

Meghana Joshi – IRA Consultants, LLC (@MeghanaIRA)
Architalks : Style

brady ernst – Soapbox Architect (@bradyernstAIA)
What Style Do You Build In?

Brian Paletz – The Emerging Architect (@bpaletz)
You do you

Michael LaValley – Evolving Architect (@archivalley)
Defining an Architect’s Style

Jarod Hall – di’velept (@divelept)
What’s Your Style?

Greg Croft – Sage Leaf Group (@croft_gregory)
Architectural Style

Jeffrey Pelletier – Board & Vellum (@boardandvellum)
Should You Pick Your Architect Based on Style or Service?

Samantha R. Markham – The Aspiring Architect (@TheAspiringArch)
5 Styles of an Aspiring Architect

Kyu Young Kim – J&K Architects Atelier (@sokokyu)
Loaded With Style

Nisha Kandiah – ArchiDragon (@ArchiDragon)
Regression or Evolution : Style

Jim Mehaffey – Yeoman Architect (@jamesmehaffey)
What’s in a Style?

Mark Stephens – Mark Stephens Architects (@architectmark)
Architectalks 23 – Style

I deal with homeowners in various stages of projects for their homes. I’m either dealing with a client that is constructing a new home and trying to sell their current home or one who is renovating/adding on to their existing home but thinking towards the future and re-sale value. Inevitably they always ask for advice as to projects they can do to their existing home to increase its chance of selling quickly now or in the future. Keep in mind, home buyers want to see how great a home looks; they don’t want to hear what it could look like with work. Meaning, these projects actually need to be done for them to add any value to your home. Here are my top 5 projects that pay off when selling your home- as well as refreshing the current home you live in:

1. Paint- For the cost, nothing comes close to the dramatic effect a new coat of paint or color change can have on a home’s interior or exterior. My advice, always paint the ceiling a bright white- I’m not a fan of colored ceilings as they tend to ‘compress’ the space. I’m a big fan of having an accent wall in a few spaces- one wall painted a differing color than the rest of the space. For the exterior, I recommend 3-4 colors. A color for the main body of the house, trim color, accent color for the front door (and possibly some other key pieces of the home), and possibly another color for a secondary material that is prominent on the house. Keep in mind, most of this is mute when dealing with modern homes and exterior materials that are left in their natural state. A well designed modern home can have various natural materials that can create a great composition of texture and color.

2. Flooring, Fixtures, Faucets, + Accessories- A rule of thumb, anything you actually touch should be of good quality and in working order- i.e. door knobs, cabinet pulls, toilet handles, etc. This doesn’t mean you can ignore unseen items, it just means a ‘touched’ item adds more to the perceived value of your home. Worn-out flooring surfaces are a turn off. Replace/clean/repair/refinish flooring throughout the home. Replacing old faucets, sinks, and toilets, can significantly increase the perceived overall value of the home. Cabinet pulls can have a dramatic effect on the perception of the quality of cabinetry. Consider replacing, or adding, cabinet pulls. Cheap and dated lighting fixtures should also be replaced.

3. Additions + Renovations- If you’re planning on selling in the future, but need additional space currently, be sure to plan wisely. An addition that appears ‘tacked on’ with no thought, hurts a home’s value and cheapens the overall impression of the home. Working with an architect is of great value when anticipating a major project on your home. An architect will be sure the overall ‘scale’ of the project is in harmony with the existing and not over, or underwhelming. The current ‘style’ of the home will be examined and addressed as appropriate in the new work. The ‘flow’ of spaces will be planned and laid out efficiently- may not seem like a big deal until you walk through a bedroom to get to a bedroom- yup, I’ve seen that… too often. An architect will address these and many other issues that can increase the value of your home.

4. Kitchens + Bathrooms- These rooms historically have had the best return on investment and continue so. The kitchen has long outgrown its place as merely for cooking, it’s now typically the gathering spot for families. Kitchens have become the focal point of many homes and quality materials/appliances have become the norm. However, keep your homes price range in mind and don’t overdo it with high end items that future buyers aren’t willing to pay for. When it comes to adding a bath or remodeling, be sure to include ample storage and quality (doesn’t have to equate to expensive) fixtures. Ceramic tile is still a good choice for flooring and wall surrounds in bathrooms. The addition of a bath or powder room can greatly increase the value of your home.

5. Landscaping- The exterior of your home plays an important role in the overall first impression of your home. Landscaping can have a dramatic impact on the overall look of your home. Consult with a qualified individual who can provide you with an overall plan for your yard.

Keep personal ‘style’ to a minimum. Infuse your personal style with furniture, accessories, artwork, window treatments, etc. These can easily be reworked by another, such that they can make the house their own. When selling your home this may entail removing personal items such that potential buyers can envision themselves living in the home and not feeling that the home is ‘owned’ by you.

So that’s my broad sweeping list of what’s worked for my clients over the years. What has worked for you? What other projects/advice do you have to share?

 

Design On,

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* Originally posted June 18 2013, edited/revised per date above- See what I did there… 5… Value… V… Roman Numeral 5.

1976… 0630 hours… Outpost Sidecut Road… West Redding CT… Christmas morning ……

I’m the first up; my three brothers are still asleep. I make my way to the Dutch-door that guards the descent. Creeping down the stairs, my hand has a tight grasp on the hand hewn oak railing. I must hold firmly and lightly jump-skip the next tread, it’s the one that creaks. Kneeling down to peer below the ceiling I see the glowing fire of orange, blue, red, yellow, and the burning wood logs. The crackling and popping is a comforting sound- someone beat me to it and is already up. I stay frozen in my spot, fighting the heat of the fireplace as it radiates across the room and through my body.

I make my way down to the first floor. Directly ahead of me is a step down to the entry foyer and in sight is the bathroom door- thankfully it’s ajar and I can see via the mirror reflection down the hall that my father’s room door is still shut. I make a U-turn and enter the living room. I look down into the kitchen, lights off. I turn left and look through the glass doors to the dining room, still set from the night before for todays’ dinner. Glancing up and to the right, I confirm no one else is wake upstairs. Looking back to the left is the tree, freshly cut a week prior from the woods. Suddenly a faint rustle is heard, I quickly dash across the living room and into the kitchen. The reddish colored linoleum floor in the kitchen is cold on the feet, I dive under the table. Ten minutes pass, it must have been the cat. Getting up from the floor I look out the bank of windows spanning the rear of the house in the breakfast area. I look out across the back yard towards the horse barn and my father’s woodshop… Yes! The field is pure white, it snowed last night!

Making my way back to the living room to investigate what’s under the tree, another noise! This time I crawl behind the chair that is in the alcove to the left of the fireplace. The mantle clock is ticking as if it’s a bomb about to detonate and it seems to be synced to the beating of my chest. I’ve got good cover, behind the chair and above me low shelf’s displaying my dad’s beer stein collection… I’m one with the darkness. I peak under the chair and I see it, the box that’s about the right size, can it be? I see my name on it and I’m hoping it’s… I begin making my way to the box under the tree.

Half way between the chair and the tree I hear my dad getting up, not good. We were to stay in bed until he was up. Not enough time to make it up the stairs without being spotted. I know what needs to happen next. I run and jump down the step into the foyer. The door to my dad’s room is to the left and starting to open. Maintaining momentum I continue straight into the bathroom, where my dad is headed… I keep going because the door on the other end of the bathroom opens into a small office, taking a left I run into the playroom, my dad’s now shutting the door to the bathroom. I take another left and run towards the entry to the playroom, hang a left, a right, jump up one step and I’m now on the stairs back up to my bedroom, whew made it! Just as I turn into my bedroom, I see my dad in the middle of the room with a big grin on his face asking me why I’m making so much noise creeping around the house… busted on Christmas morning!

My childhood home holds great memories for me. At the time I was unaware of the gift our home gave- it served as a frame of reference for our daily life which in turn became my memories. It’s been 30+ years since I’ve lived in the house, but my memories are fresh because I have the house as a reference that enhances my memories recollection- textures, sights, sounds, smells, all contained within a house, a home… Architecture.

 

Design On,

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* Originally posted December 23 2013, edited/revised per date above- yes, that really is the house I grew up in, it had a few more additions on it prior to my living there.  

It’s always a thrill when meeting a potential client for the first time. Excitement. Nerves. Possibilities. That’s how I feel as the architect. Once I’m in their house I don’t get on the sales pitch soap box. The great thing about the modern ‘online world’ is that clients can do vast amounts of research before calling an architect. They’ve seen my work and know what I can do. I don’t need to sell myself at this point… well, I’m always selling the virtues of an architect, it’s just covert at this point.

We start walking through the house. The clients go on and on- in a good way- talking about their project. I spend most of the time listening shaking the dog off my leg, checking out their medicine cabinets and nodding my head… after all it’s their project that they wish to share with me. I see the glitter in their eye as they discuss wishes and goals for the project. Really good clients have binders full of images they like. The best clients can describe why they like them. Finally they’ve exhausted themselves. Then it happens. They turn to me and ask, “So what’s the answer? What will it look like when it’s done?” They seem to be waiting for me to snap my fingers, toss my cape back over my shoulder (I really should start wearing a cape) and exclaim “A-ha, I’ve got it!” However, my typical response is “Yes. No. Something. I don’t know.” To which I’m greeted with a blank stare for two minutes… than a nervous laugh… then the client says “ No, really, what’s it going to look like?”

Sometimes it’s a bit of a let down to the client that I don’t have an initial grand vision for their project. If I did, it would be my vision and not theirs. I don’t work that way. The bad thing about the modern ‘online world’ is that clients want answers instantly. I explain how I approach each project by striving to define the inherent design issue(s) at hand. I need to figure out how they ‘live’ life on a daily basis and what is or isn’t currently working for them in their house. I don’t approach a project with a preconceived notion of an aesthetic- style if you wish. I strive to absorb a client’s beliefs and wishes and respond with an appropriate design. This doesn’t happen at the first meeting. Occasionally, I have them fill out a questionnaire in an attempt to further solidify their goals and wishes for the project. Then it happens. They look at me and exclaim “A-ha, so we’re going to be involved more than we thought. We have a say in what this will look like, nice. This sounds like a lot of fun!” Trust me, it’s a barrel of monkey’s kind of fun.

My initial meeting with a client involves a vast amount of listening, looking, and investigating the root of the design issue(s) at hand. Good design is listening and investigating, only after doing such can an architect respond appropriately. I suspect a majority of architects would agree.

A client’s project starts as theirs, but if it’s successful it doesn’t end that way. I like the give and take between architect and client, it makes for a rewarding experience and project for both of us. The most successful projects start as a client’s project and end as our project. It never becomes my project. So take on me (see what I did there) as your architect and we’ll come up with a project that’s not yours or mine, but ours.

 

Design On,

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* Originally posted April 16 2014, edited/revised per date above- Come on a-ha and a barrel of monkey’s… in one post… never done before, couldn’t have been..

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Ideally I would provide full architectural design and administration services for every project. Let’s be honest, that’s the want of every architect for every project. However, for several reasons, I realize this is not always an option, nor is it always necessary. Cost is typically a primary issue on every project, and usually the first thing to be eliminated is the professional services of an architect. However, as a client you need to be aware of options that do not eliminate the services of your architect.

The primary means of reducing the design fee is to reduce the level of service provided. However, that in turn will result in more responsibility for you and it becomes crucial (even more so) to have a competent contractor. Obviously, the greater amount of detail included in the drawings, the clearer the procedure for construction. The design drawings are vital in assuring you that your house is built the way you want it. The more detail in the drawings the more control you have over the resultant house. Anything not included in the drawings is at the discretion of the contractor. You’ll have less control over the final outcome of the house because you have given the contractor fewer instructions/information to follow.

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In this installment of the ‘Hiring an Architect’ series, I address typical levels of service available from an architect. Keep in mind not all architects are willing to work on a project where their services are limited- and there are some projects I won’t either. However, it does afford potential options to a client who is not in a position to hire an architect for full services, but does realize the value of an architect in the design of their home. Outlined below are differing Levels of design service available to you:

LEVEL 1: SCHEMATIC DESIGN DRAWINGS

This level uses an architect’s special training to problem solve, but the task of producing drawings for permitting and construction is the responsibility of others and is hired by you. This level is appropriate for simple designs. This level of service is appropriate if you want a house designed for your particular needs, but want to either draw the plans yourself or to have the builder, or a drafting service perform the drawing creation.

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These drawings are by no means enough for permitting or actual construction. The drawings indicate the design intent of your home. Prior to building, you will need to hire someone to think through how the house will be constructed, and to document those decisions in a set of drawings, suitable for obtaining the permit and building the house. This approach is appropriate if you wish to have standard finishes and details. Services typically include the following phase and associated deliverables:

Schematic Design (SD)

Schematic Design Drawings provided. Room sizes will be indicated but not dimensioned. The Schematic Design Drawings will be formatted at a size of 11×17, hand drawn, and consist of the following:

– Floor Plan(s)

– Roof Plan(s)

– Exterior Elevations- at each exterior façade

 

LEVEL 2: SCHEMATIC DESIGN + SCHEMATIC DESIGN RESOLUTION PACKAGE

This level of service is appropriate for those seeking a house with standard construction and finishing details. Like Level 1, this level of service is recommended for simple designs, where everything is straight forward. This level of service is the same as previously described in Level 1. However, once a design is agreed upon, a Schematic Design Resolution Package is provided.

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The Schematic Design Resolution Package contains additional information to lessen the burden on someone else completing the drawings. Even though you will still need to hire someone else to complete a set of drawings, suitable for obtaining the permit and construction, major dimensions will have been determined to aid in the creation of drawings. Services typically include the following phases and associated deliverables:

Schematic Design (SD) + Schematic Design Resolution Package

Includes services and deliverables as indicated in Level 1 , in addition, a  Schematic Design Resolution Package is provided. The Schematic Design Resolution Package will be formatted at a size of 24×36, created via AutoCAD/BIM software, and consist of the following:

–   Floor Plan(s)

–   Roof Plan(s)

–   Exterior Elevations- at each exterior facade

–   Two (2) Building Sections

–   One (1) Wall Section

 

LEVEL 3: SCHEMATIC DESIGN + DESIGN DEVELOPMENT DRAWINGS

This level of service is the same as previously described in Level 2. However, once a design is agreed upon, a set of Design Development Drawings is created. The Schematic Design is developed so it more precisely fits your desires and needs. Preliminary materials are indicated/selected for your house.

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The Design Development drawings illustrate and describe the refinement of the design of your house. They establish the scope, relationships, forms, size, function, and aesthetic character of the house. These documents will outline the major materials and the building systems proposed. While these drawings are still not suitable for permitting and construction, they do start indicating additional information that assists in alleviating the contractor making assumptions. Services typically include the following phases and associated deliverables:

Schematic Design (SD) + Design Development (DD)

Includes services and deliverables as indicated in Level 2, in addition, Design Development Drawings will be created. The Design Development Drawings will be formatted at a size of 24×36, created via AutoCAD/BIM software, and typically consist of the following:

– Preliminary Architectural Site Plan in CAD (plot plan provided by Owner)

– Floor Plan(s)

– Roof Plan(s)

– Exterior Elevations- as needed

– Building Section(s)

– Preliminary Wall Sections and Details

– Preliminary Electrical Plans- locating outlets, telephone and cable only

– Preliminary Ceiling/Lighting Plans- locating lighting and switching only

– Preliminary Schedule Sheet(s)- including door and window schedule, interior finish schedule and interior elevations as required

– Preliminary General Specification Sheet- major materials and systems and establish their quality levels

 

LEVEL 4: FULL SCOPE OF ARCHITECTURAL SERVICES  (psst… psst…this is the one you want)

This level of service is the same as previously described in Level 3. However, once Design Development is complete, a set of Construction Documents is created. These drawings are also used for obtaining a building permit and for construction of your house. All of the information obtained throughout the previous phases of work are incorporated and coordinated to create a set of drawings and documents that set forth in detail requirements for the construction of your house. This also includes structural engineering of your house.

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This level of service offers you the greatest amount of specificity regarding your house, and consequently the greatest amount of control over the end ‘product.’ The resultant home will reflect who you are and how you live. Services typically include the following phases and associated deliverables:

Construction Document (CD)

Includes services and deliverables as indicated in Level 3 , in addition, Construction Documents consisting of Drawings and Specifications setting forth in detail the requirements for your house, including Drawings and Specifications that establish the quality levels of materials and systems required for your house, will be created. A typical Construction Document set will include:

– Cover Sheet

– General Specification Sheet(s) or Book Specifications

– Architectural Site Plan

– Foundation, Floor, and Roof Plan(s)

– Exterior Elevations

– Building Sections, Wall Sections, and Details

– Electrical Plans- locating outlets, telephone and cable only (circuitry by electrical subcontractor)

– Ceiling/Lighting Plans- locating lighting and switching only (circuitry by electrical subcontractor)

– Schedule Sheet(s)- including door and window schedule, interior finish schedule and interior elevations as required

– Selection sheets indicating what fixtures, appliances, lights, etc. that you need to select.

– Structural Framing Plans and Details as required (services provided by a structural engineer)

 

CONSTRUCTION OBSERVATION

This is the construction phase of your project. Basically, we are involved during this process to see that the builder is following the Construction Documents during construction. Ideally, at a minimum, visits to the site would occur at; Foundation and Footings, Substantial Completion of Framing, Pre-Electrical, Before Drywall, Trim work approximately 50%, and Substantial Completion. This service is only provided if Level 4 is selected. There are far too many liabilities to be involved with the construction unless we are the author of the Construction Documents.

 

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HOURLY CONSULTING

For any other services not indicated, and for any situation where our experience in residential design and construction would be of value, we are available on an hourly basis.

Ideally you would select Level 4. However, even limiting design services, there remains inherent value in employing the services of an architect. As a future client, you need to be aware of the options available such that you can realize your dream home. If you are considering/making such an investment, why not hire an architect to assist you in getting what you want? If you want your home to reflect who you are and how you live, hiring an architect is something you cannot afford not to do.

All of the previous posts in the ‘Hiring an Architect’ series can be found here:

Hiring an Architect: Part 1- The Search

Hiring an Architect: Part 2- Q&A Yourself

Hiring an Architect: Part 3- Ask the Architect

Hiring an Architect: Part 4- What? Me… hire an architect?

 

Armed with this series, a residential client should feel at ease about hiring and working with an architect. Architects will listen to your needs/wants and in the end you’ll have the home you wanted because your architect was able to assist you in bridging the gap between your budget, your vision and reality. You’ll end up with a home that fits you and your lifestyle. If you still have reservations or questions fell free to comment below or send me an email!

 

Design On,

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* Originally posted January 21 2015, edited/revised per date above- Even limiting the services of an architect will bring value to your home, it won’t come with large fries or a super size drink, but it will be added value.